Tuesday 11 May 2021

My Design Process for Large Drafts

At the beginning of the year, I was working through a set of designs for a sample band and I thought you might like to see the way I use Tablet Weaving Draft Designer during my design process. For large drafts like this one I work a bit differently to the way I do for smaller drafts, as I find that otherwise I get lost in them (thanks, dyslexia!). To reduce the amount of visual noise, I focus on the pattern of backward turns against forward turns rather than the colour and direction of the threads. For smaller drafts like the ones in my two books Warp-Twined Angles and Vacant-Hole Pinwheels, I turn the backward turn saturation to zero and work with the flow of the threads in the boxes instead. 

I wove these drafts as 2x2 diagonals, but I designed them in 1x3 diagonals, as the turning sequence will be the same and it results in a pencil sketch that's easier for me to read.

Step 1

Draw out the motif. I use metric graph paper as my standard "thinking paper" as I can fit quite a few designs on the same sheet.

A spiral motif formed from intersecting diagonal lines, drawn in pencil on graph paper

Step 2

Draw 4x4 zigzags around the motif and draw in all the vertical and horizontal mirror lines. 

A spiral motif formed from intersecting diagonal lines, drawn in pencil on graph paper with horizontal and vertical mirror lines drawn in and surrounded by 4x4 boxes

Step 3

Shade in all the areas that contain left leaning lines (these will be the backward turns in the final draft).

A spiral motif formed from intersecting diagonal lines, drawn in pencil on graph paper, with the areas containing left slanting lines shaded in

Step 4

Draw a simplified schematic of the shaded motif, where each square in the schematic is equivalent to a 4x4 square in the motif. Add vertical and horizontal mirror lines down the middle of the schematic.

A spiral motif formed from intersecting diagonal lines, drawn in pencil on graph paper, with the backwards turns shaded in, next to a smaller schematic of the draft

Step 5

Turn off the threads in the display section of the control panel of TDD and set the rulers to the same position as the mirror lines in the schematic. Open the previous draft from the batch and alter the dark and light squares to match the new schematic. I also reduce the visual scale until I can see the whole draft on my screen at once. The 4x4 squares at each corner of the draft will produce the filler between the motifs.

A photo of a laptop with a browser window showing a Tablet Weaving Draft Designer draft with shaded boxes

Step 6

Turn the threads back on, the rulers off, and the backward turn saturation down to zero and check that the motif looks the same as the pencil sketch motif.

A photo of a laptop screen showing Tablet Weaving Draft Designer draft in purple and yellow, with the threads turned on and the backward turn saturation set to zero

Step 7

The final draft with both the threads and backward turn shading in place, ready to weave. I do this straight from TDD without printing anything out, as I can use the horizontal ruler tool to help me keep my place.

A completed Tablet Weaving Draft Designer draft in yellow and purple with intersecting diagonal lines

Step 8

Weave the draft! 

A photo of a tablet woven band with the motif woven in yellow and purple with intersecting diagonal lines

For this band I used yellow onion dyed yarn and purple/almost black logwood dyed yarn from the stash I've been dyeing for over the last few years. I'm hoping to play with some indigo this summer to get purples from my red brazilwood yarn and greens from my yellow weld and onion skin yarns.

Friday 7 May 2021

Exciting Book News!

Since the beginning of March, I've been working on a new project or maybe I should say that I've been working on an old project? 

At the back of my first book, Tablet Weaving in Theory and Practice: Warp-Twined Angles, I wrote that when I designed the drafts for the book, there were more that didn't make it in, as there wasn't enough warp to weave all of them. I hadn't originally intended to turn them into a book (I designed them as a way to keep myself from going stir-crazy when I couldn't weave for a month due to an elbow injury), so I wasn't planning for it when I wove them. I wrote that I hoped to revisit them at some point in the future and maybe add some more drafts to the list.

This spring, I picked the project back up, initially intending to add a few extra drafts and update the photography, layouts, samples and explanations to create a revised edition of Warp-Twined Angles. Well, one thing lead to another and the number of drafts grew to over 100 in total; enough for a second volume in its own right. I had a lot of fun coming back to this project and I really enjoyed weaving something so completely different to the double-face drafts I spent much of 2019 and 2020 working on for my book Double-Face Inscriptions.

The new Warp-Twined Angles will be in three different editions:

Volume One, which will have the 42 drafts from the first edition
Volume Two, which will have the additional 65 new drafts (with notes on the historical examples that some of them are based on)
A Combined Edition with the full 107 drafts together.

They will be in hardback, softback, ebook, and pdf and will be available to buy in June (if everything goes to plan) from

Tablet woven bands in black and white with orange edges, decorated with geometric motifs, arranged diagonally across the frame